Disting mk4
Info
Algorithms
A1 Precision Adder
A2 Four Quadrant Multiplier
A3 Full-wave Rectifier / abs()
A4 Minimum / Maximum
A5 Linear / Exponential Converter
A6 Quantizer
A7 Comparator
A8 Dual Waveshaper
B1 Sample and Hold
B2 Slew Rate Limiter
B3 Pitch & Envelope Tracker
B4 Clockable Delay/Echo
B5 LFO
B6 Clocked LFO
B7 VCO with linear FM
B8 VCO with waveshaping
C1 Precision Adder (fractional offsets)
C2 Voltage Controlled Delay Line
C3 Clockable Ping Pong Delay (Z feedback)
C4 Clockable Ping Pong Delay (Z input pan)
C5 Resonator
C6 Vocoder
C7 Phaser
C8 Bit Crusher
D1 DJ Filter
D2 Tape Delay
D3 Waveform Animator
D4 State Variable Filter
D5 LP/HP Filter
D6 LP/BP Filter
D7 BP/HP Filter
D8 BP/Notch Filter
E1 AR Envelope
E2 AR Envelope & VCA
E3 Dual AR Envelope
E4 Stereo Compressor
E5 Side-chain Compressor
E6 Mono Compressor
E7 Euro to Buchla Converter
E8 Buchla to Euro Converter
F1 Clockable AD Envelope (w/ mute)
F2 Clockable AD Envelope (w/ gate)
F3 Clockable AD Envelope (w/ trigger)
F4 Clockable AD Envelope & VCA
F5 Shift Register Random CVs
F6 Shift Register Random Quantized CVs
F7 Shift Register Random Triggers
F8 Shift Register Random Dual Triggers
G1 ES-1 Emulation
G2 ES-2 Emulation
G3 Pitch Reference
G4 Frequency Reference
G5 Tuner
G6 Clock
G7 MIDI/CV
G8 CV/MIDI
H1 Crossfade/Pan
H2 Dual Sample and Hold
H3 Dual Quantizer (Z scale)
H4 Dual Quantizer
H5 Dual Euclidean Patterns
H6 Dual Delayed Pulse Generator
H7 Noise
H8 Quantizer 2
I1 Audio Playback
I2 Clocked Audio Playback
I3 Audio Playback (V/oct)
I4 Audio Playback (Z speed)
I5 Audio Playback (with reverse)
I6 Audio Playback (with scrub)
I7 Dual Audio Playback
I8 Dual Audio Playback (Z speed)
J1 MIDI file playback (clocked)
J2 Multisample Audio Playback
J3 MIDI file playback (Free Running)
J4 Audio Playback (end position CV)
J5 Audio Recorder
J6 Multisample Audio Playback
J7 Mono Audio Recorder
J8 Audio Playback with Crossfade
K1 Wavetable VCO
K2 Clockable Wavetable LFO
K3 Wavetable Waveshaper
K4 Clockable Wavetable Env
K5 Programmable Quantizer
K6 Clockable SD Delay
K7 Stereo Clockable SD Delay
K8 Stereo Clockable SD Delay (Z clock)
L1 Stereo Reverb
L2 Mono-to-Stereo Reverb
L3 Dual Reverb
L4 Dual Vowel Filter
L5 Stereo Chorus
L6 Mono Chorus
L7 Mixer
L8 Noise Gate
M1 Delayed LFO
M2 Scaled LFO
M3 Logic
M4 Half-wave Rectifier
M5 Stereo Filter
M6 Stereo Tape Delay
M7 Granular Pitch Shift
M8 Chaos
N1 Switch
N2 Rotary
N5 Pulsar VCO
N8 Clockable SD Ping Pong
General
Info
Disting mk4
Disting mk4 is a eurorack swift army knife. It is made by Expert Sleepers.
The Disting firmware gets updated regularly, be sure to check the firmware page for the latest version and latest manual.
These cheat sheets cover firmware V4.19.1.
To change algorithms, press S once to enter the menu, and a second time to select the first menu item.
Turn the S encoder to change the current selected parameter. Press Z on algorithms that do not have knob recording, or press and turn S to change which parameter is selected.
For additional details about parameters, scales, and note numbers see the excellent cheatsheet by vo1t.
Links
Disting mk4 informationDisting mk4 Firmware & Manual
vo1t cheat sheets
Algorithms
A1 Precision Adder
Controls
Z
|
offset, in 1v increments |
X
|
input |
Y
|
input |
A
|
X + Y + offset, or X + offset |
B
|
X - Y + offset, or Y +/- offset |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 1 | 0 |
When 1, Z offset is not quantized to 1v steps. |
pos | min | max | default |
---|---|---|---|
1 | 0 | 2 | 0 |
Sum mode. 0: A=X+Y+offset, B=X-Y-offset 1: A=X+offset, B=Y-offset 2: A=X+offset, B=Y+offset |
A2 Four Quadrant Multiplier
Controls
Z
|
scale, from 1/10th to 10x |
X
|
input |
Y
|
input |
A
|
X * Y * scale |
B
|
-X * Y * scale |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 1 | 0 |
When 1, Z scale is not quantized to integer values |
pos | min | max | default |
---|---|---|---|
1 | -10 | 10 | 0 |
Y offset |
A3 Full-wave Rectifier / abs()
Controls
Z
|
mode. '-0' indicates independent mode, 0 indicates combined mode |
X
|
input |
Y
|
input |
A
|
abs(X) in independent mode abs(X + Y) in combined mode |
B
|
abs(Y) in independent mode abs(X - Y) in combined mode |
Description
Provides either full-wave rectifier, or absolute value function, depending on value of ZA4 Minimum / Maximum
Controls
Z
|
Gate. Above 2.5V, outputs follow inputs, Below -1.5V, outputs are frozen. |
X
|
input |
Y
|
input |
A
|
min(X, Y) |
B
|
max(X, Y) |
A5 Linear / Exponential Converter
Controls
Z
|
Hz/V scale, centred on 1kHz |
X
|
exponential input |
Y
|
linear input |
A
|
exponential: (2^X) * scale |
B
|
linear: log2(Y/scale) |
pos | min | max | default |
---|---|---|---|
0 | 0 | 1 | 0 |
Type A. When enabled, output A acts as gate inverter. |
pos | min | max | default |
---|---|---|---|
1 | 0 | 1 | 0 |
Type B. When enabled, output B acts as gate inverter. |
A6 Quantizer
Controls
Z
|
Scale & function of Y |
X
|
Unquantized pitch CV |
Y
|
When Z is positive, acts as transpose When Z is negative, triggers quantizer to update output. |
A
|
quantized value of X |
B
|
trigger on note change |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -1 | 31 | 31 |
Attenuation of input X |
pos | min | max | default |
---|---|---|---|
1 | 0 | 1 | 0 |
Transpose mode. When 0, transposition occurs after quantization. When 1, transposition occurs before quantization. |
pos | min | max | default |
---|---|---|---|
2 | -31 | 31 | 0 |
Key. Adjusts root of quantization scale by semitones. See chart below. |
pos | min | max | default |
---|---|---|---|
3 | 0 | 31 | 0 |
Time delay of B output gate. |
pos | min | max | default |
---|---|---|---|
4 | 0 | 1 | 0 |
MIDI gate. |
Scales
Number | Scale |
---|---|
0 | chromatic |
1 | major scale |
2 | minor scale |
3 | major triad |
4 | minor triad |
5 | root+5th |
6 | major triad+6th |
7 | minor triad+6th |
8 | major triad+7th |
9 | minor triad+7th |
10 | root+5th+6th |
11 | root+5th+7th |
12 | pentatonic major |
13 | pentatonic minor |
14 | natural minor scale |
15 | harmonic minor scale |
Key
Chart assumes oscillator tuning 0v = C.Parameter 2 | Scale |
---|---|
-12 | C |
-11 | C# |
-10 | D |
-9 | D# |
-8 | E |
-7 | F |
-6 | F# |
-5 | G |
-4 | G# |
-3 | A |
-2 | A# |
-1 | B |
0 | C |
1 | C# |
2 | D |
3 | D# |
4 | E |
5 | F |
6 | F# |
7 | G |
8 | G# |
9 | A |
10 | A# |
11 | B |
12 | C |
A7 Comparator
Controls
Z
|
hysteresis |
X
|
input |
Y
|
input |
A
|
gate when X > Y (+5V) |
B
|
gate when X < Y (+5V) |
A8 Dual Waveshaper
Controls
Z
|
gain |
X
|
input |
Y
|
input |
A
|
folded X |
B
|
triangle-to-sine Y |
B1 Sample and Hold
Controls
Z
|
slew rate |
X
|
input signal |
Y
|
input S&H control (see parameter 0) |
A
|
S&H output |
B
|
noise (+/- 8V) |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 1 | 0 |
Mode. When 0, output A is updated when trigger input Y goes over 1V. When 1, output A follows X while input Y is over 1V. |
pos | min | max | default |
---|---|---|---|
1 | 0 | 31 | 0 |
Time delay between trigger and sampling. |
pos | min | max | default |
---|---|---|---|
2 | 0 | 3 | 1 |
Noise colour: 0: Violet 1: White 2: Pink 3: Red |
pos | min | max | default |
---|---|---|---|
3 | 0 | 64 | 0 |
Amount of noise added to input. |
pos | min | max | default |
---|---|---|---|
4 | 0 | 32 | 32 |
Atten B |
pos | min | max | default |
---|---|---|---|
5 | -1 | 31 | -1 |
Up slew |
pos | min | max | default |
---|---|---|---|
6 | -1 | 31 | -1 |
Down slew |
Description
Pressing Z triggers a sample manually.B2 Slew Rate Limiter
Controls
Z
|
slew rate |
X
|
input |
Y
|
input |
A
|
linear slew rate limited X+Y |
B
|
logarithmic slew rate limited X+Y |
B3 Pitch & Envelope Tracker
Controls
Z
|
envelope slew rate |
X
|
audio input |
Y
|
V/oct pitch offset |
A
|
V/oct pitch derived from X, plus Y |
B
|
envelope derived from X |
B4 Clockable Delay/Echo
Controls
Z
|
feedback |
X
|
audio input |
Y
|
clock input |
A
|
output according to mode |
B
|
output according to mode |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -15 | 8 | 0 |
Delay time multiplier. See chart below |
pos | min | max | default |
---|---|---|---|
1 | 0 | 2 | 0 |
Output mode. 0: A=mix, B=delay only 1: A & B are mix 2: A & B are delay only |
Delay Multiplier
Parameter 0 | Multiplier |
---|---|
-15 | 1/64 |
-14 | 1/48 |
-13 | 1/32 |
-12 | 1/24 |
-11 | 1/16 |
-10 | 1/12 |
-9 | 1/8 |
-8 | 1/6 |
-7 | 3/16 |
-6 | 1/4 |
-5 | 5/16 |
-4 | 1/3 |
-3 | 3/8 |
-2 | 1/2 |
-1 | 3/4 |
0 | x1 |
1 | x1.5 |
2 | x2 |
3 | x3 |
4 | x4 |
5 | x5 |
6 | x6 |
7 | x8 |
8 | x16 |
B5 LFO
Controls
Z
|
tune (+/-10Hz) |
X
|
Hz/V frequency |
Y
|
waveshape |
A
|
saw -> sine -> triangle |
B
|
pulse -> square -> pulse |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 40 | 32 |
attenuation for output A |
pos | min | max | default |
---|---|---|---|
1 | 0 | 40 | 32 |
attenuation for output B |
pos | min | max | default |
---|---|---|---|
2 | -40 | 40 | 0 |
offset for output A, each step is 0.25V |
pos | min | max | default |
---|---|---|---|
3 | -40 | 40 | 0 |
offset for output B, each step is 0.25V |
pos | min | max | default |
---|---|---|---|
4 | -32 | 32 | 0 |
Y offset, each step is 0.25V |
B6 Clocked LFO
Controls
Z
|
rate divider / multiplier |
X
|
clock input |
Y
|
waveshape |
A
|
saw -> sine -> triangle |
B
|
pulse -> square -> pulse |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -32 | 32 | 32 |
Output A attenuverter |
pos | min | max | default |
---|---|---|---|
1 | -32 | 32 | 32 |
Output B attenuverter |
pos | min | max | default |
---|---|---|---|
0 | -32 | 32 | 0 |
Y offset |
Description
tap tempo by pressing ZB7 VCO with linear FM
Controls
Z
|
tune +/- 0.5 octave |
X
|
V/oct input |
Y
|
linear FM input |
A
|
selectable output waveform |
B
|
selectable output waveform |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -16 | 8 | 0 |
octave shift |
pos | min | max | default |
---|---|---|---|
1 | 0 | 32 | 32 |
attenuation for output A |
pos | min | max | default |
---|---|---|---|
2 | 0 | 32 | 32 |
attenuation for output B |
pos | min | max | default |
---|---|---|---|
3 | 0 | 5 | 1 |
waveform A. 0: triangle 1: sine 2: square 3: saw 4: sub-octave square |
5: MIDI Gate
pos | min | max | default |
---|---|---|---|
4 | 0 | 4 | 3 |
waveform B. Same list as above. |
B8 VCO with waveshaping
Controls
Z
|
tune +/- 0.5 octave or sync |
X
|
V/oct input |
Y
|
waveshape / PWM |
A
|
selectable output waveforms |
B
|
selectable output waveforms |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -16 | 8 | 0 |
octave shift |
pos | min | max | default |
---|---|---|---|
1 | 0 | 32 | 32 |
attenuation for output A |
pos | min | max | default |
---|---|---|---|
2 | 0 | 32 | 32 |
attenuation for output B |
pos | min | max | default |
---|---|---|---|
3 | -32 | 32 | 0 |
input Y offset |
pos | min | max | default |
---|---|---|---|
4 | 0 | 2 | 0 |
output waveforms. 0: A=triangle/saw, B= square/pulse 1: A=triangle/saw, B=sub-octave square 2: A=square/pulse, B=sub octave square 3: A=triangle/saw, B=MIDI gate 4: A=square/pulse, B=MIDI gate |
pos | min | max | default |
---|---|---|---|
5 | -12 | 12 | 0 |
Transpose |
pos | min | max | default |
---|---|---|---|
6 | -51 | 50 | -51 |
Fine tune/enable sync. When -51, Z sets fine tune. When -50 to 50, Parameter 6 sets fine tune. Z becomes a sync input, resetting VCO phase when above 1V. |
C1 Precision Adder (fractional offsets)
Controls
Z
|
offset, in increments of 1/parameter of an octave |
X
|
input |
Y
|
input |
A
|
X + Y + offset |
B
|
X - Y + offset |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 1 | 12 | 12 |
Controls Z offset divisor, from 1/1 of an octave to 1/12 an octave(semitones). |
pos | min | max | default |
---|---|---|---|
1 | 0 | 2 | 0 |
Sum mode. 0: A=X+Y+offset, B=X-Y-offset 1: A=X+offset, B=Y-offset 2: A=X+offset, B=Y+offset |
C2 Voltage Controlled Delay Line
Controls
Z
|
feedback (bipolar) |
X
|
audio input |
Y
|
delay time |
A
|
delay output |
B
|
delay output plus input |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -32 | 32 | 0 |
Applies offset to Y input |
pos | min | max | default |
---|---|---|---|
1 | -32 | 32 | 32 |
Y input attenuator. |
pos | min | max | default |
---|---|---|---|
2 | 0 | 1 | 0 |
Enable saturation. |
C3 Clockable Ping Pong Delay (Z feedback)
Controls
Z
|
feedback |
X
|
audio input |
Y
|
clock |
A
|
left output |
B
|
right output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 1 | 0 |
Output mode. When 0, outputs are dry&wet mixed. When 1, outputs are only wet signal. |
pos | min | max | default |
---|---|---|---|
1 | -15 | 8 | 0 |
Delay time multiplier. See chart below |
pos | min | max | default |
---|---|---|---|
2 | -32 | 32 | -32 |
Input pan |
Description
Tap tempo enabled.
Delay Multiplier
Parameter 0 | Multiplier |
---|---|
-15 | 1/64 |
-14 | 1/48 |
-13 | 1/32 |
-12 | 1/24 |
-11 | 1/16 |
-10 | 1/12 |
-9 | 1/8 |
-8 | 1/6 |
-7 | 3/16 |
-6 | 1/4 |
-5 | 5/16 |
-4 | 1/3 |
-3 | 3/8 |
-2 | 1/2 |
-1 | 3/4 |
0 | x1 |
1 | x1.5 |
2 | x2 |
3 | x3 |
4 | x4 |
5 | x5 |
6 | x6 |
7 | x8 |
8 | x16 |
C4 Clockable Ping Pong Delay (Z input pan)
Controls
Z
|
input pan |
X
|
audio input |
Y
|
clock |
A
|
left output |
B
|
right output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 31 | 24 |
Feedback |
pos | min | max | default |
---|---|---|---|
1 | -15 | 8 | 0 |
Delay time multiplier. See chart below |
pos | min | max | default |
---|---|---|---|
2 | 0 | 1 | 0 |
Output mode. 0: outputs are dry/wet mix 1: outputs are wet only |
Description
Tap tempo enabled.
Delay Multiplier
Parameter 0 | Multiplier |
---|---|
-15 | 1/64 |
-14 | 1/48 |
-13 | 1/32 |
-12 | 1/24 |
-11 | 1/16 |
-10 | 1/12 |
-9 | 1/8 |
-8 | 1/6 |
-7 | 3/16 |
-6 | 1/4 |
-5 | 5/16 |
-4 | 1/3 |
-3 | 3/8 |
-2 | 1/2 |
-1 | 3/4 |
0 | x1 |
1 | x1.5 |
2 | x2 |
3 | x3 |
4 | x4 |
5 | x5 |
6 | x6 |
7 | x8 |
8 | x16 |
C5 Resonator
Controls
Z
|
gain |
X
|
audio input (Mode 0) or trigger input (Mode 1) |
Y
|
centre frequency (pitch, V/oct) |
A
|
audio output |
B
|
envelope of audio out |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -31 | 31 | 0 |
Y input offset (semitones) |
pos | min | max | default |
---|---|---|---|
1 | 0 | 1 | 0 |
Mode. When 1, input X is a trigger input |
Description
press Z to strikeC6 Vocoder
Controls
Z
|
decay time |
X
|
modulator input |
Y
|
carrier input |
A
|
audio output |
B
|
envelope output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 1 | 0 |
Filter bank selection. Bank 0: 1/2 oct spacing. Bank 1: 1/3 oct spacing. |
pos | min | max | default |
---|---|---|---|
1 | 0 | 64 | 16 |
Output A attenuation/gain. |
pos | min | max | default |
---|---|---|---|
2 | 0 | 64 | 16 |
Output B attenuation/gain. |
C7 Phaser
Controls
Z
|
feedback (bipolar) |
X
|
audio input |
Y
|
sweep |
A
|
phase-shifted output plus input |
B
|
phase-shifted output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -31 | 31 | 0 |
Y input offset |
pos | min | max | default |
---|---|---|---|
1 | 1 | 10 | 10 |
Number of phaser stages |
C8 Bit Crusher
Controls
Z
|
bit reduction |
X
|
signal input |
Y
|
sample rate input |
A
|
signal output |
B
|
comparator out: +5V when A is above 0 |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -31 | 31 | 0 |
Y input offset |
pos | min | max | default |
---|---|---|---|
1 | 0 | 7 | 0 |
bit reduction mode. See table below. |
pos | min | max | default |
---|---|---|---|
2 | 0 | 7 | 0 |
bit mangling mode. See table below. |
Bit Reduction Modes
There are 2 bit reduction modes.Type I: sample treated as 16 bit values, low bits thrown away. Each step in bit reduction halves the resolution.
Type II: sample is divided by a factor. Allows for a smoother reduction of resolution.
Parameter 1 controls which bit reduction type applies to negative and positive values.
Parameter 1 | Positive | Negative |
---|---|---|
0 | Type I | Type I |
1 | Type II | Type II |
2 | Type I | Type II |
3 | Type II | Type I |
4 | Type I | None |
5 | Type II | None |
6 | None | Type I |
7 | None | Type I |
Bit Mangling Modes
Parameter 2 | Operation |
---|---|
0 | None |
1 | Bit swap 1 |
2 | Bit swap 1 |
3 | Bit swap 1 |
4 | Bit rotation |
5 | Previous sample XOR 1 |
6 | Previous sample XOR 2 |
7 | Previous sample XOR 3 |
D1 DJ Filter
Controls
Z
|
filter sweep, lowpass -> highpass |
X
|
audio input L |
Y
|
audio input R |
A
|
filter output L |
B
|
filter output R |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 31 | 0 |
Filter resonance |
D2 Tape Delay
Controls
Z
|
feedback |
X
|
audio input |
Y
|
tape speed |
A
|
output (depends on mode) |
B
|
output (depends on mode) |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 43 | 43 |
tape length |
pos | min | max | default |
---|---|---|---|
1 | -9 | 9 | 0 |
fine length control |
pos | min | max | default |
---|---|---|---|
2 | -8 | 16 | 0 |
tape speed |
pos | min | max | default |
---|---|---|---|
3 | 0 | 2 | 0 |
output mode. 0: A mix, B delay only. 1: A & B are mix. 2: A & B are delay only. |
D3 Waveform Animator
Controls
Z
|
separation |
X
|
audio input |
Y
|
threshold |
A
|
animated output |
B
|
square waves output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -1 | 31 | 11 |
LFO depth |
pos | min | max | default |
---|---|---|---|
1 | -31 | 31 | 0 |
Y offset |
pos | min | max | default |
---|---|---|---|
2 | 0 | 31 | 23 |
LFO rate |
pos | min | max | default |
---|---|---|---|
3 | -1 | 31 | -1 |
Scale. When -1, an envelope tracker is used so LFO amplitude matches input. Other values set LFO amplitude directly. |
D4 State Variable Filter
Controls
Z
|
filter type |
X
|
audio input |
Y
|
filter frequency |
A
|
filter output LP->BP->HP |
B
|
filter output HP->BP->LP |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -80 | 80 | 0 |
Y offset |
pos | min | max | default |
---|---|---|---|
1 | 0 | 31 | 0 |
Filter resonance |
D5 LP/HP Filter
Controls
Z
|
filter resonance |
X
|
audio input |
Y
|
filter frequency |
A
|
LP filter output |
B
|
HP filter output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -80 | 80 | 0 |
Y offset |
D6 LP/BP Filter
Controls
Z
|
filter resonance |
X
|
audio input |
Y
|
filter frequency |
A
|
LP filter output |
B
|
BP filter output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -80 | 80 | 0 |
Y offset |
D7 BP/HP Filter
Controls
Z
|
filter resonance |
X
|
audio input |
Y
|
filter frequency |
A
|
BP filter output |
B
|
HP filter output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -80 | 80 | 0 |
Y offset |
D8 BP/Notch Filter
Controls
Z
|
filter resonance |
X
|
audio input |
Y
|
filter frequency |
A
|
BP filter output |
B
|
notch filter output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -80 | 80 | 0 |
Y offset |
E1 AR Envelope
Controls
Z
|
envelope times |
X
|
trigger input |
Y
|
trigger input |
A
|
envelope output |
B
|
envelope output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 2 | 0 |
Trigger Mode. When 0, acts as AR envelope, holding envelope high as long as trigger is high. When 1, executes one full A/D when gate goes high. When 2, loops A/D as long as the trigger is high. |
pos | min | max | default |
---|---|---|---|
1 | 0 | 1 | 0 |
Z mode. When 0, Z sweeps from short A&D -> short A, long D -> long A&D -> long A, short D When 1, sets A&D to same value. |
pos | min | max | default |
---|---|---|---|
2 | -40 | 41 | 32 |
Output A Attenuverter. When 41, Output A emits an end-of-cycle trigger. |
pos | min | max | default |
---|---|---|---|
3 | -40 | 40 | 32 |
Output B Attenuverter |
pos | min | max | default |
---|---|---|---|
4 | -40 | 40 | 0 |
Output A Offset, 0.25V increments |
pos | min | max | default |
---|---|---|---|
5 | -40 | 40 | 0 |
Output B Offset, 0.25V increments |
pos | min | max | default |
---|---|---|---|
6 | 0 | 32 | 26 |
Attack shape. 0 = exponential curve 32 = linear |
pos | min | max | default |
---|---|---|---|
7 | 0 | 32 | 10 |
Release shape. 0 = exponential curve 32 = linear |
Description
Push Z to manually trigger envelopeE2 AR Envelope & VCA
Controls
Z
|
envelope times |
X
|
trigger input |
Y
|
VCA input |
A
|
envelope output |
B
|
VCA output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 8 | 0 |
Trigger Mode. When 0, acts as AR envelope, holding envelope high as long as trigger is high. When 1, executes one full A/D when gate goes high. When 2, loops A/D as long as the trigger is high. |
Modes 3, 4, 5 act like modes 0, 1, 2 except the trigger is derived from the envelope of input X.
Modes 6, 7, 8 act like modes 0, 1, 2 except the VCA input drives the envelope of input Y.
pos | min | max | default |
---|---|---|---|
1 | 0 | 1 | 0 |
Z mode. When 0, Z sweeps from short A&D -> short A, long D -> long A&D -> long A, short D When 1, sets A&D to same value. |
pos | min | max | default |
---|---|---|---|
2 | -40 | 41 | 32 |
Output A Attenuverter. When 41, A outputs an End-of-cycle trigger. |
pos | min | max | default |
---|---|---|---|
3 | -40 | 40 | 32 |
Output B Attenuverter |
pos | min | max | default |
---|---|---|---|
4 | -40 | 40 | 0 |
Output A Offset, 0.25V increments |
pos | min | max | default |
---|---|---|---|
5 | -40 | 40 | 0 |
Output B Offset, 0.25V increments |
pos | min | max | default |
---|---|---|---|
6 | 0 | 32 | 26 |
Attack shape 0 = exponential curve 32 = linear |
pos | min | max | default |
---|---|---|---|
7 | 0 | 32 | 10 |
Release shape 0 = exponential curve 32 = linear |
Description
Push Z to manually trigger envelopeE3 Dual AR Envelope
Controls
Z
|
envelope times |
X
|
trigger input A |
Y
|
trigger input B |
A
|
envelope output A |
B
|
envelope output B |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 2 | 0 |
Trigger Mode. When 0, acts as AR envelope, holding envelope high as long as trigger is high. When 1, executes one full A/D when gate goes high. When 2, loops A/D as long as the trigger is high. |
pos | min | max | default |
---|---|---|---|
1 | 0 | 1 | 0 |
Z mode. When 0, Z sweeps from short A&D -> short A, long D -> long A&D -> long A, short D When 1, sets A&D to same value. |
pos | min | max | default |
---|---|---|---|
2 | -40 | 40 | 32 |
Output A Attenuverter |
pos | min | max | default |
---|---|---|---|
3 | -40 | 40 | 32 |
Output B Attenuverter |
pos | min | max | default |
---|---|---|---|
4 | -40 | 40 | 0 |
Output A Offset, 0.25V increments |
pos | min | max | default |
---|---|---|---|
5 | -40 | 40 | 0 |
Output B Offset, 0.25V increments |
pos | min | max | default |
---|---|---|---|
6 | 0 | 32 | 26 |
Attack shape 0 = exponential curve 32 = linear |
pos | min | max | default |
---|---|---|---|
7 | 0 | 32 | 10 |
Release shape 0 = exponential curve 32 = linear |
Description
Push Z to manually trigger envelopeE4 Stereo Compressor
Controls
Z
|
compression ratio, 0 to infinity |
X
|
left input |
Y
|
right input |
A
|
left output |
B
|
right output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -36 | 0 | -12 |
Threshold (dB) |
pos | min | max | default |
---|---|---|---|
1 | 0 | 99 | 20 |
Attack time (0.1ms-1s) |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 20 |
Release time (1ms-3s) |
pos | min | max | default |
---|---|---|---|
3 | -1 | 36 | 0 |
Make-up gain (dB) |
pos | min | max | default |
---|---|---|---|
4 | 0 | 99 | 0 |
Lookahead (0ms to 10ms) |
E5 Side-chain Compressor
Controls
Z
|
side-chain input |
X
|
left input |
Y
|
right input |
A
|
left output |
B
|
right output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -36 | 0 | -12 |
Threshold (dB) |
pos | min | max | default |
---|---|---|---|
1 | 0 | 99 | 20 |
Attack time (0.1ms-1s) |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 20 |
Release time (1ms-3s) |
pos | min | max | default |
---|---|---|---|
3 | -1 | 36 | 0 |
Make-up gain (dB) |
pos | min | max | default |
---|---|---|---|
4 | 0 | 99 | 0 |
Lookahead (0ms to 10ms) |
pos | min | max | default |
---|---|---|---|
5 | 0 | 99 | 50 |
Compression ratio (from no compression to infinity) |
E6 Mono Compressor
Controls
Z
|
compression ratio |
X
|
audio input |
Y
|
side-chain input |
A
|
audio output |
B
|
gain reduction output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -36 | 0 | -12 |
Threshold (dB) |
pos | min | max | default |
---|---|---|---|
1 | 0 | 99 | 20 |
Attack time (0.1ms-1s) |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 20 |
Release time (1ms-3s) |
pos | min | max | default |
---|---|---|---|
3 | -1 | 36 | 0 |
Make-up gain (dB) |
pos | min | max | default |
---|---|---|---|
4 | 0 | 99 | 0 |
Lookahead (0ms to 10ms) |
pos | min | max | default |
---|---|---|---|
5 | -80 | 12 | -80 |
Side-chain mix (in 0.5dB) |
E7 Euro to Buchla Converter
Controls
Z
|
tune +/- 0.5 octaves |
X
|
1V/oct input |
Y
|
gate input |
A
|
1.2V/oct output |
B
|
gate/trigger output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -8 | 8 | 0 |
Octave shift |
pos | min | max | default |
---|---|---|---|
1 | -99 | 99 | 99 |
Coarse |
pos | min | max | default |
---|---|---|---|
2 | -99 | 99 | 10 |
Fine |
pos | min | max | default |
---|---|---|---|
2 | -99 | 99 | 0 |
Offset |
pos | min | max | default |
---|---|---|---|
3 | 0 | 99 | 49 |
Gate level |
Scaling algorithm
Scaling is calculated by the formula scale = 1.0 + 0.002 * ( parameter 1 ) + 0.0002 * ( parameters 2 )
E8 Buchla to Euro Converter
Controls
Z
|
tune +/- 0.5 octaves |
X
|
1.2V/oct input |
Y
|
gate/trigger input |
A
|
1V/oct output |
B
|
trigger output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -8 | 8 | 0 |
Octave shift |
F1 Clockable AD Envelope (w/ mute)
Controls
Z
|
envelope shape |
X
|
clock input |
Y
|
mute input |
A
|
envelope output |
B
|
envelope output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -15 | 8 | 0 |
Delay time multiplier. See chart below |
pos | min | max | default |
---|---|---|---|
1 | -40 | 41 | 32 |
Output A Attenuverter. When 41, A emits an end-of-cycle trigger. |
pos | min | max | default |
---|---|---|---|
2 | -40 | 40 | 32 |
Output B Attenuverter |
pos | min | max | default |
---|---|---|---|
3 | 0 | 32 | 26 |
Attack shape. 0 = exponential curve 32 = linear |
pos | min | max | default |
---|---|---|---|
4 | 0 | 32 | 10 |
Release shape. 0 = exponential curve 32 = linear |
Description
Tap tempo by pressing Z
Delay Multiplier
Parameter 0 | Multiplier |
---|---|
-15 | 1/64 |
-14 | 1/48 |
-13 | 1/32 |
-12 | 1/24 |
-11 | 1/16 |
-10 | 1/12 |
-9 | 1/8 |
-8 | 1/6 |
-7 | 3/16 |
-6 | 1/4 |
-5 | 5/16 |
-4 | 1/3 |
-3 | 3/8 |
-2 | 1/2 |
-1 | 3/4 |
0 | x1 |
1 | x1.5 |
2 | x2 |
3 | x3 |
4 | x4 |
5 | x5 |
6 | x6 |
7 | x8 |
8 | x16 |
F2 Clockable AD Envelope (w/ gate)
Controls
Z
|
envelope shape |
X
|
clock input |
Y
|
gate input |
A
|
envelope output |
B
|
envelope output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -15 | 8 | 0 |
Delay time multiplier. See chart below |
pos | min | max | default |
---|---|---|---|
1 | -40 | 41 | 32 |
Output A Attenuverter. When 41, A emits an end-of-cycle trigger. |
pos | min | max | default |
---|---|---|---|
2 | -40 | 40 | 32 |
Output B Attenuverter |
pos | min | max | default |
---|---|---|---|
3 | 0 | 32 | 26 |
Attack shape. 0 = exponential curve 32 = linear |
pos | min | max | default |
---|---|---|---|
4 | 0 | 32 | 10 |
Release shape. 0 = exponential curve 32 = linear |
Description
Tap tempo by pressing Z
Delay Multiplier
Parameter 0 | Multiplier |
---|---|
-15 | 1/64 |
-14 | 1/48 |
-13 | 1/32 |
-12 | 1/24 |
-11 | 1/16 |
-10 | 1/12 |
-9 | 1/8 |
-8 | 1/6 |
-7 | 3/16 |
-6 | 1/4 |
-5 | 5/16 |
-4 | 1/3 |
-3 | 3/8 |
-2 | 1/2 |
-1 | 3/4 |
0 | x1 |
1 | x1.5 |
2 | x2 |
3 | x3 |
4 | x4 |
5 | x5 |
6 | x6 |
7 | x8 |
8 | x16 |
F3 Clockable AD Envelope (w/ trigger)
Controls
Z
|
envelope shape |
X
|
clock input |
Y
|
trigger input |
A
|
envelope output |
B
|
envelope output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -15 | 8 | 0 |
Delay time multiplier. See chart below |
pos | min | max | default |
---|---|---|---|
1 | -40 | 41 | 32 |
Output A Attenuverter. When 41, A emits an end-of-cycle trigger. |
pos | min | max | default |
---|---|---|---|
2 | -40 | 40 | 32 |
Output B Attenuverter |
pos | min | max | default |
---|---|---|---|
3 | 0 | 32 | 26 |
Attack shape. 0 = exponential curve 32 = linear |
pos | min | max | default |
---|---|---|---|
4 | 0 | 32 | 10 |
Release shape. 0 = exponential curve 32 = linear |
Description
Tap tempo by pressing Z
Delay Multiplier
Parameter 0 | Multiplier |
---|---|
-15 | 1/64 |
-14 | 1/48 |
-13 | 1/32 |
-12 | 1/24 |
-11 | 1/16 |
-10 | 1/12 |
-9 | 1/8 |
-8 | 1/6 |
-7 | 3/16 |
-6 | 1/4 |
-5 | 5/16 |
-4 | 1/3 |
-3 | 3/8 |
-2 | 1/2 |
-1 | 3/4 |
0 | x1 |
1 | x1.5 |
2 | x2 |
3 | x3 |
4 | x4 |
5 | x5 |
6 | x6 |
7 | x8 |
8 | x16 |
F4 Clockable AD Envelope & VCA
Controls
Z
|
envelope shape |
X
|
clock input |
Y
|
VCA input |
A
|
envelope output |
B
|
VCA output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -15 | 8 | 0 |
Delay time multiplier. See chart below |
pos | min | max | default |
---|---|---|---|
1 | -40 | 41 | 32 |
Output A Attenuverter. When 41, A emits an end-of-cycle trigger. |
pos | min | max | default |
---|---|---|---|
2 | -40 | 40 | 32 |
Output B Attenuverter |
pos | min | max | default |
---|---|---|---|
3 | 0 | 32 | 26 |
Attack shape. 0 = exponential curve 32 = linear |
pos | min | max | default |
---|---|---|---|
4 | 0 | 32 | 10 |
Release shape. 0 = exponential curve 32 = linear |
Description
Tap tempo by pressing Z
Delay Multiplier
Parameter 0 | Multiplier |
---|---|
-15 | 1/64 |
-14 | 1/48 |
-13 | 1/32 |
-12 | 1/24 |
-11 | 1/16 |
-10 | 1/12 |
-9 | 1/8 |
-8 | 1/6 |
-7 | 3/16 |
-6 | 1/4 |
-5 | 5/16 |
-4 | 1/3 |
-3 | 3/8 |
-2 | 1/2 |
-1 | 3/4 |
0 | x1 |
1 | x1.5 |
2 | x2 |
3 | x3 |
4 | x4 |
5 | x5 |
6 | x6 |
7 | x8 |
8 | x16 |
F5 Shift Register Random CVs
Controls
Z
|
randomness |
X
|
clock input |
Y
|
modify input |
A
|
unipolar output |
B
|
bipolar output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 1 | 0 |
Direction |
pos | min | max | default |
---|---|---|---|
1 | 1 | 32 | 8 |
Length |
pos | min | max | default |
---|---|---|---|
2 | 0 | 31 | 0 |
Slew rate |
pos | min | max | default |
---|---|---|---|
3 | -40 | 40 | 40 |
Output attenuverter |
pos | min | max | default |
---|---|---|---|
4 | -40 | 40 | 0 |
Offset for both outputs |
F6 Shift Register Random Quantized CVs
Controls
Z
|
randomness |
X
|
clock input |
Y
|
modify input |
A
|
quantized CV output |
B
|
trigger output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 1 | 0 |
Direction |
pos | min | max | default |
---|---|---|---|
1 | 1 | 32 | 8 |
Length |
pos | min | max | default |
---|---|---|---|
2 | 0 | 15 | 0 |
Scale. See table below |
pos | min | max | default |
---|---|---|---|
3 | -40 | 40 | 32 |
Output attenuverter |
pos | min | max | default |
---|---|---|---|
4 | 0 | 1 | 0 |
MIDI Gate |
pos | min | max | default |
---|---|---|---|
5 | -48 | 48 | 0 |
Transpose. See chart below. |
pos | min | max | default |
---|---|---|---|
6 | 0 | 31 | 0 |
Slew |
Scales
Number | Scale |
---|---|
0 | chromatic |
1 | major scale |
2 | minor scale |
3 | major triad |
4 | minor triad |
5 | root+5th |
6 | major triad+6th |
7 | minor triad+6th |
8 | major triad+7th |
9 | minor triad+7th |
10 | root+5th+6th |
11 | root+5th+7th |
12 | pentatonic major |
13 | pentatonic minor |
14 | natural minor scale |
15 | harmonic minor scale |
Key
Chart assumes oscillator tuning 0v = C.Parameter 2 | Scale |
---|---|
-12 | C |
-11 | C# |
-10 | D |
-9 | D# |
-8 | E |
-7 | F |
-6 | F# |
-5 | G |
-4 | G# |
-3 | A |
-2 | A# |
-1 | B |
0 | C |
1 | C# |
2 | D |
3 | D# |
4 | E |
5 | F |
6 | F# |
7 | G |
8 | G# |
9 | A |
10 | A# |
11 | B |
12 | C |
F7 Shift Register Random Triggers
Controls
Z
|
randomness |
X
|
clock input |
Y
|
modify input |
A
|
trigger output |
B
|
inverse trigger output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 1 | 32 | 8 |
Length |
pos | min | max | default |
---|---|---|---|
1 | 0 | 31 | 0 |
Pulse A length |
pos | min | max | default |
---|---|---|---|
2 | 0 | 31 | 0 |
Pulse B length |
Description
Press Z to modify sequenceF8 Shift Register Random Dual Triggers
Controls
Z
|
randomness |
X
|
clock input |
Y
|
modify input |
A
|
trigger output A |
B
|
trigger output B |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 1 | 32 | 8 |
Length A |
pos | min | max | default |
---|---|---|---|
1 | 1 | 32 | 8 |
Length B |
pos | min | max | default |
---|---|---|---|
2 | 0 | 31 | 0 |
Pulse A length |
pos | min | max | default |
---|---|---|---|
3 | 0 | 31 | 0 |
Pulse B length |
Description
Press Z to modify sequenceG1 ES-1 Emulation
Controls
Z
|
trim |
X
|
input 1 |
Y
|
input 2 |
A
|
output 1 |
B
|
output 2 |
G2 ES-2 Emulation
Controls
Z
|
trim |
X
|
input 1 |
Y
|
input 2 |
A
|
output 1 |
B
|
output 2 |
G3 Pitch Reference
Controls
Z
|
output amplitude |
X
|
not used |
Y
|
not used |
A
|
sine output |
B
|
square ouput |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 11 | 0 |
Semitone. See chart below |
pos | min | max | default |
---|---|---|---|
1 | -1 | 9 | 4 |
Octave |
Semitone
Parameter 2 | Scale |
---|---|
0 | C |
1 | C# |
2 | D |
3 | D# |
4 | E |
5 | F |
6 | F# |
7 | G |
8 | G# |
9 | A |
10 | A# |
11 | B |
G4 Frequency Reference
Controls
Z
|
output amplitude |
X
|
not used |
Y
|
not used |
A
|
sine output |
B
|
square output |
Description
See manual for explanation how to set frequency with S and Z.G5 Tuner
Controls
Z
|
output B amplitude |
X
|
input |
Y
|
not used |
A
|
copy of X |
B
|
sine wave at tracked pitch |
G6 Clock
Controls
Z
|
Push to start clock / tap tempo (see Z Mode) |
X
|
clock input |
Y
|
run/stop input |
A
|
clock output |
B
|
clock output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 5 | 0 |
Mode. Chooses clock source for A/B, and MIDI out. See chart below. |
pos | min | max | default |
---|---|---|---|
1 | -2 | 14 | 6 |
Clock divisor for output A |
pos | min | max | default |
---|---|---|---|
2 | -2 | 14 | -2 |
Clock divisor for output B |
pos | min | max | default |
---|---|---|---|
3 | 0 | 11 | 8 |
Clock divisor for input X |
pos | min | max | default |
---|---|---|---|
4 | 0 | 3 | 0 |
Y mode. When 0, Y is unused and output starts when clock is present on X. When 1, output starts when Y goes high and stops when Y low. |
pos | min | max | default |
---|---|---|---|
5 | -120 | 120 | 0 |
Tempo. Sets internal clock speed, or adjusts tap tempo speed, in BPM. |
pos | min | max | default |
---|---|---|---|
6 | 0 | 1 | 0 |
Z mode. |
Mode table (Parameter 0)
Value | A/B source | MIDI clock source |
---|---|---|
0 | MIDI | X |
1 | X | X |
2 | Internal | X |
3 | MIDI | Internal |
4 | X | Internal |
5 | Internal | Internal |
Output Clock Divisors
Parameter | Output A/B |
---|---|
-2 | Run/stop |
-1 | Reset pulse |
0 | 1/96 |
1 | 1/48 |
2 | 1/32 |
3 | 1/24 |
4 | 1/16 |
5 | 1/12 |
6 | 1/8 |
7 | 1/6 |
8 | 1/4 |
9 | 1/3 |
10 | 1/2 |
11 | 1 |
12 | 2/1 |
13 | 3/1 |
14 | 4/1 |
Generated MIDI Clock Divisors
Parameter | Input X |
---|---|
0 | 1/96 |
1 | 1/48 |
2 | 1/32 |
3 | 1/24 |
4 | 1/16 |
5 | 1/12 |
6 | 1/8 |
7 | 1/6 |
8 | 1/4 |
9 | 1/3 |
10 | 1/2 |
11 | 1 |
G7 MIDI/CV
Controls
Z
|
unused |
X
|
unused |
Y
|
unused |
A
|
pitch CV output |
B
|
gate output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -31 | 31 | 0 |
Transpose |
pos | min | max | default |
---|---|---|---|
1 | 0 | 24 | 2 |
Pitch bend depth |
pos | min | max | default |
---|---|---|---|
2 | -1 | 99 | -1 |
Microtonal Scale. -1 is disabled, see Scala Support in manual |
pos | min | max | default |
---|---|---|---|
3 | 0 | 32 | 0 |
Portamento |
pos | min | max | default |
---|---|---|---|
4 | 0 | 100 | 0 |
Interrupt |
pos | min | max | default |
---|---|---|---|
5 | 0 | 2 | 0 |
Note priority. Values are Last, Low, High. |
Outputs can be controlled by MIDI notes (pitch/gate), MIDI CCs 33/34 (-5v to +5v range), or MIDI CCs 35/36 (0v to 10v range).
G8 CV/MIDI
Controls
Z
|
mod wheel / velocity CV input |
X
|
pitch CV input |
Y
|
gate input |
A
|
pass-through X |
B
|
pass-through Y |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 16 |
Gate delay. Used to let pitch CV settle before sampling when gate arrives. |
pos | min | max | default |
---|---|---|---|
1 | 0 | 1 | 0 |
Z mode. When 0, Z sets velocity. Otherwise, Z generates CC messages and this parameter sets CC#. |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 0 |
X CC # |
pos | min | max | default |
---|---|---|---|
3 | 0 | 99 | 0 |
Y CC # |
H1 Crossfade/Pan
Controls
Z
|
mix control |
X
|
input |
Y
|
input |
A
|
mix of X&Y |
B
|
inverted mix of X&Y, according to Z. Or LFO output. |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 3 | 0 |
Crossfade/pan law. 0: Equal gain 1: Equal power 2: DJ-style crossfade 3: FX Loop: A=unattenuated X + faded amount of Y |
pos | min | max | default |
---|---|---|---|
1 | 0 | 2 | 0 |
Clip mode. 0: Legacy, with digital overflows 1: Hard clip 2: Soft clip |
pos | min | max | default |
---|---|---|---|
2 | -1 | 99 | 0 |
Output B option/LFO speed. -1=input copy. 0 =
disabled. 1-99: Outputs LFO, parameter controls speed |
H2 Dual Sample and Hold
Controls
Z
|
gate |
X
|
input A |
Y
|
input B |
A
|
X when Z exceeds 1V |
B
|
Y when Z exceeds 1V |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 1 | 0 |
Mode. 0: Output is a sample of input when trigger Z goes over 1V. 1: Output follows input while Z is high (track & hold) |
pos | min | max | default |
---|---|---|---|
1 | 0 | 31 | 0 |
Time delay between gate high and sampling. |
pos | min | max | default |
---|---|---|---|
2 | 0 | 64 | 0 |
Amount of noise added to input X. |
pos | min | max | default |
---|---|---|---|
3 | 0 | 64 | 0 |
Amount of noise added to input Y. |
pos | min | max | default |
---|---|---|---|
4 | 0 | 32 | 0 |
Slew amount for output A. |
pos | min | max | default |
---|---|---|---|
5 | 0 | 32 | 0 |
Slew amount for output B. |
H3 Dual Quantizer (Z scale)
Controls
Z
|
scale. See chart below |
X
|
input |
Y
|
input |
A
|
quantized(X) |
B
|
quantized(Y) |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 32 | 32 |
Input X attenuation |
pos | min | max | default |
---|---|---|---|
1 | 0 | 32 | 32 |
Input Y attenuation |
pos | min | max | default |
---|---|---|---|
2 | -31 | 31 | 0 |
X transpose |
pos | min | max | default |
---|---|---|---|
3 | -31 | 31 | 0 |
Y transpose |
Scales
Number | Scale |
---|---|
0 | chromatic |
1 | major scale |
2 | minor scale |
3 | major triad |
4 | minor triad |
5 | root+5th |
6 | major triad+6th |
7 | minor triad+6th |
8 | major triad+7th |
9 | minor triad+7th |
10 | root+5th+6th |
11 | root+5th+7th |
12 | pentatonic major |
13 | pentatonic minor |
14 | natural minor scale |
15 | harmonic minor scale |
H4 Dual Quantizer
Controls
Z
|
trigger |
X
|
input |
Y
|
input |
A
|
quantized(X) |
B
|
quantized(Y) |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 32 | 32 |
Input X attenuation |
pos | min | max | default |
---|---|---|---|
1 | 0 | 32 | 32 |
Input Y attenuation |
pos | min | max | default |
---|---|---|---|
2 | -16 | 16 | 0 |
X scale/trigger mode. When negative, outputs only update on trigger. For scales see chart below. |
pos | min | max | default |
---|---|---|---|
3 | -16 | 16 | 0 |
Y scale/trigger mode. When negative, outputs only update on trigger. For scales see chart below. |
pos | min | max | default |
---|---|---|---|
4 | 0 | 1 | 0 |
MIDI gate |
Scales
Number +/- | Scale |
---|---|
0, 1 | chromatic |
2 | major scale |
3 | minor scale |
4 | major triad |
5 | minor triad |
6 | root+5th |
7 | major triad+6th |
8 | minor triad+6th |
9 | major triad+7th |
10 | minor triad+7th |
11 | root+5th+6th |
12 | root+5th+7th |
13 | pentatonic major |
14 | pentatonic minor |
15 | natural minor scale |
16 | harmonic minor scale |
17 | MIDI input selects notes, any scale |
18 | MIDI input selects exact notes |
H5 Dual Euclidean Patterns
Controls
Z
|
sets pulses for pattern 2 |
X
|
clock input |
Y
|
reset input |
A
|
pattern 1 out |
B
|
pattern 2 out |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 1 | 16 | 16 |
Steps |
pos | min | max | default |
---|---|---|---|
1 | 1 | 16 | 4 |
Pulses (pattern 1) |
pos | min | max | default |
---|---|---|---|
2 | 0 | 96 | 0 |
A Rotation |
pos | min | max | default |
---|---|---|---|
3 | 0 | 31 | 0 |
Pulse length |
pos | min | max | default |
---|---|---|---|
4 | -1 | 96 | -1 |
B Rotation. When -1, uses same value as A Rotation. |
pos | min | max | default |
---|---|---|---|
5 | 0 | 96 | 0 |
Number of steps before entire pattern resets. |
H6 Dual Delayed Pulse Generator
Controls
Z
|
depends on parameter 0 |
X
|
input |
Y
|
input |
A
|
pulse triggered by X above 1V |
B
|
pulse triggered by Y above 1V |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 1 | 6 | 0 |
Sets Z control. 0: delay 1: length 2: Override (high) 3: Override (low) 4: Input enable 5: Input disabled 6: Z triggers both outputs |
pos | min | max | default |
---|---|---|---|
1 | 0 | 12 | 6 |
Range. Scales both delay and length times. |
pos | min | max | default |
---|---|---|---|
2 | -1 | 31 | -1 |
Delay |
pos | min | max | default |
---|---|---|---|
3 | 0 | 31 | 7 |
Length |
H7 Noise
Controls
Z
|
blend |
X
|
output A scale |
Y
|
output B scale |
A
|
noise A output |
B
|
noise B output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -1 | 3 | -1 |
Type A -1: Blended 0: Violet 1: White 2: Pink 3: Red |
pos | min | max | default |
---|---|---|---|
1 | -1 | 3 | -1 |
Type B. Same values as above |
pos | min | max | default |
---|---|---|---|
2 | -1 | 31 | 31 |
Attenuation A |
pos | min | max | default |
---|---|---|---|
3 | -1 | 31 | 31 |
Attenuation B |
H8 Quantizer 2
Controls
Z
|
interval between A & B, conforming to scale and key |
X
|
pitch CV input |
Y
|
trigger in or pitch CV input |
A
|
quantized CV out |
B
|
quantized CV out |
Parameters
pos | min | max | default |
---|---|---|---|
0 | N/A | N/A | N/A |
Pattern. Turn S to select degrees (notes) of the scale. Press S to add/remove that note from quantizer. |
pos | min | max | default |
---|---|---|---|
1 | 0 | 2 | 0 |
Scale. 0: Major 1: Natural Minor 2: Harmonic Minor |
pos | min | max | default |
---|---|---|---|
2 | -12 | 12 | 0 |
Key. Values follow circle of fifths. See table |
pos | min | max | default |
---|---|---|---|
3 | 0 | 32 | 32 |
Input X attenuation |
pos | min | max | default |
---|---|---|---|
4 | -32 | 32 | -32 |
Trigger mode/offset/Y attenuation. When negative, Y is CV input attenuated by parameter. When positive, Y is trigger input and parameter sets pitch CV sampling delay |
pos | min | max | default |
---|---|---|---|
5 | 0 | 32 | 0 |
Slew rate |
Circle of Fifths
Parameter | key |
---|---|
-5 | Db |
-4 | Ab |
-3 | Eb |
-2 | Bb |
-1 | F |
0 | C |
1 | G |
2 | D |
3 | A |
4 | E |
5 | B |
6 | F# |
I1 Audio Playback
Controls
Z
|
selects sample |
X
|
retrigger input |
Y
|
start position CV |
A
|
left audio output |
B
|
right audio output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Folder |
pos | min | max | default |
---|---|---|---|
1 | 0 | 99 | 0 |
Trigger mode / decay envelope time. 0: trigger resets sample playback to start. 1-99: trigger acts as gate, value controls decay envelope time. |
I2 Clocked Audio Playback
Controls
Z
|
selects sample, or start position |
X
|
retrigger input |
Y
|
clock |
A
|
left audio output |
B
|
right audio output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Folder |
pos | min | max | default |
---|---|---|---|
1 | 0 | 99 | 0 |
Trigger mode / decay envelope time. 0: trigger resets sample playback to start. 1-99: trigger acts as gate, value controls decay envelope time. |
pos | min | max | default |
---|---|---|---|
2 | -1 | 99 | -1 |
When -1, sample is selected by Z. When 0-99, Parameter 2 selects sample and Z controls start position. |
Description
Use playlist to set number of clocks per sample.I3 Audio Playback (V/oct)
Controls
Z
|
selects sample |
X
|
retrigger input |
Y
|
V/oct pitch CV |
A
|
left audio output |
B
|
right audio output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Folder |
pos | min | max | default |
---|---|---|---|
1 | -8 | 8 | 0 |
Octave shift |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 0 |
Trigger mode / decay envelope time. 0: trigger resets sample playback to start. 1-99: trigger acts as gate, value controls decay envelope time. |
pos | min | max | default |
---|---|---|---|
3 | -1 | 4 | -1 |
MIDI mode. See manual. |
I4 Audio Playback (Z speed)
Controls
Z
|
playback speed |
X
|
retrigger input |
Y
|
start position CV |
A
|
left audio output |
B
|
right audio output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Folder |
pos | min | max | default |
---|---|---|---|
1 | 0 | 99 | 0 |
Selects sample |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 0 |
Trigger mode / decay envelope time. 0: trigger resets sample playback to start. 1-99: trigger acts as gate, value controls decay envelope time. |
I5 Audio Playback (with reverse)
Controls
Z
|
playback speed |
X
|
retrigger input |
Y
|
selects sample |
A
|
left audio output |
B
|
right audio output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Folder |
pos | min | max | default |
---|---|---|---|
1 | -49 | 49 | 0 |
Y offset |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 0 |
Trigger mode / decay envelope time. 0: trigger resets sample playback to start. 1-99: trigger acts as gate, value controls decay envelope time. |
I6 Audio Playback (with scrub)
Controls
Z
|
selects sample |
X
|
not used |
Y
|
playback position |
A
|
left audio output |
B
|
right audio output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Folder |
pos | min | max | default |
---|---|---|---|
1 | 1 | 99 | 16 |
Speed limit |
pos | min | max | default |
---|---|---|---|
2 | 0 | 20 | 0 |
Slew limit |
pos | min | max | default |
---|---|---|---|
3 | -32 | 32 | 0 |
Y offset |
I7 Dual Audio Playback
Controls
Z
|
selects sample |
X
|
trigger A |
Y
|
trigger B |
A
|
output (see pan parameter) |
B
|
output (see pan parameter) |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Folder |
pos | min | max | default |
---|---|---|---|
1 | 0 | 1 | 0 |
Panning option. 0: A emits sample X, B emits sample Y 1: A/B act as L/R output of both samples. |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 0 |
Trigger mode / decay envelope time. 0: trigger resets sample playback to start. 1-99: trigger acts as gate, value controls decay envelope time. |
I8 Dual Audio Playback (Z speed)
Controls
Z
|
speed |
X
|
trigger A |
Y
|
trigger B |
A
|
output (see pan parameter) |
B
|
output (see pan parameter) |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Folder |
pos | min | max | default |
---|---|---|---|
1 | 0 | 99 | 0 |
Selects sample A |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 1 |
selects sample B |
pos | min | max | default |
---|---|---|---|
3 | 0 | 1 | 0 |
Panning option. 0: A emits sample X, B emits sample Y 1: A/B act as L/R output of both samples. |
pos | min | max | default |
---|---|---|---|
4 | 0 | 3 | 0 |
Selects which samples are affected by Z. 0: Both 1: Sample A fixed, B variable. 2: Sample A variable, B fixed. 3: Both fixed |
pos | min | max | default |
---|---|---|---|
5 | 0 | 99 | 0 |
Trigger mode / decay envelope time. 0: trigger resets sample playback to start. 1-99: trigger acts as gate, value controls decay envelope time. |
J1 MIDI file playback (clocked)
Controls
Z
|
selects MIDI file |
X
|
clock |
Y
|
retrigger CV |
A
|
pitch CV output |
B
|
gate output |
pos | min | max | default |
---|---|---|---|
0 | -1 | 31 | -1 |
Selects MIDI file. When -1, file chosen by Z. |
J2 Multisample Audio Playback
Controls
Z
|
tune +/- 0.5 octaves |
X
|
retrigger CV |
Y
|
V/oct pitch CV |
A
|
left audio output |
B
|
right audio output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Folder |
pos | min | max | default |
---|---|---|---|
1 | -8 | 8 | 0 |
Octave shift |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 0 |
Trigger mode / decay envelope time. 0: trigger resets sample playback to start. 1-99: trigger acts as gate, value controls decay envelope time. |
pos | min | max | default |
---|---|---|---|
3 | -1 | 4 | -1 |
MIDI mode. See manual. |
pos | min | max | default |
---|---|---|---|
4 | 0 | 24 | 2 |
Pitch bend depth |
pos | min | max | default |
---|---|---|---|
5 | 0 | 1 | 1 |
Panning option. 0: A emits sample X, B emits sample Y 1: A/B act as L/R output of both samples. |
Description
See manual for how to set up multisample playlistsJ3 MIDI file playback (Free Running)
Controls
Z
|
playback speed |
X
|
V/oct speed CV |
Y
|
retrigger CV |
A
|
pitch CV output |
B
|
gate output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 31 | 0 |
MIDI file selection |
J4 Audio Playback (end position CV)
Controls
Z
|
end position CV when negative, retrigger input when positive |
X
|
opposite of Z function |
Y
|
start position CV |
A
|
left audio output |
B
|
right audio output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Folder |
pos | min | max | default |
---|---|---|---|
1 | 0 | 99 | 0 |
Sample |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 0 |
Trigger mode / decay envelope time. 0: trigger resets sample playback to start. 1-99: trigger acts as gate, value controls decay envelope time. |
J5 Audio Recorder
Controls
Z
|
recording while Z exceeds 1V |
X
|
left audio input |
Y
|
right audio input |
A
|
left audio output |
B
|
right audio output |
J6 Multisample Audio Playback
Controls
Z
|
tune +/- 0.5 octaves |
X
|
retrigger CV |
Y
|
V/oct pitch CV |
A
|
left audio output |
B
|
right audio output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Folder |
pos | min | max | default |
---|---|---|---|
1 | -8 | 8 | 0 |
Octave shift |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 0 |
Trigger mode / decay envelope time. 0: trigger resets sample playback to start. 1-99: trigger acts as gate, value controls decay envelope time. |
pos | min | max | default |
---|---|---|---|
3 | -1 | 4 | -1 |
MIDI mode. See manual. |
Description
See manual for how to set up multisample playlistsJ7 Mono Audio Recorder
Controls
Z
|
recording while Z exceeds 1V |
X
|
left audio input |
Y
|
unused |
A
|
left audio output |
B
|
unused |
J8 Audio Playback with Crossfade
Controls
Z
|
selects the sample |
X
|
gate/clock CV |
Y
|
V/oct pitch CV |
A
|
left audio output |
B
|
right audio output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Folder |
pos | min | max | default |
---|---|---|---|
1 | -8 | 8 | 0 |
Octave shift |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 50 |
Crossfade time |
pos | min | max | default |
---|---|---|---|
3 | 0 | 2 | 1 |
Gate mode. 0: X is gate, starting & stopping CV. 1: sample plays continuously 2: sample plays continuously, X is clock CV. |
K1 Wavetable VCO
Controls
Z
|
tune +/-0.5 octaves |
X
|
V/oct pitch CV |
Y
|
Wavetable position |
A
|
wavetable output |
B
|
sub-octave square, or detuned output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Chooses Wavetable |
pos | min | max | default |
---|---|---|---|
1 | -16 | 8 | 0 |
Octave shift |
pos | min | max | default |
---|---|---|---|
2 | -32 | 32 | 0 |
Y offset |
pos | min | max | default |
---|---|---|---|
3 | -4 | 99 | 0 |
Output B option/detune. Only applies when Parameter 4 is -1. -4: MIDI gate -3: squarewave 1 octave below A -2: Wavetable VCO one octave below output A -1: Wavetable VCO one octave above output A 0-99: Wavetable VCO detuned relative to output A; output A is also detuned in the opposite direction. |
pos | min | max | default |
---|---|---|---|
4 | -1 | 127 | -1 |
Phase. When -1, output B is selected by Parameter 3. When 0-127, output B is a 0-360 degree phase-offset output of output A. |
Description
See manual for wavetable SD card setupK2 Clockable Wavetable LFO
Controls
Z
|
integer multiplier/divider |
X
|
clock input |
Y
|
Wavetable position |
A
|
wavetable output |
B
|
wavetable output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Chooses Wavetable |
pos | min | max | default |
---|---|---|---|
1 | -32 | 32 | 0 |
Y offset |
pos | min | max | default |
---|---|---|---|
2 | -32 | 32 | 32 |
Output A attenuverter |
pos | min | max | default |
---|---|---|---|
3 | -32 | 32 | -32 |
Output B attenuverter |
Description
See manual for wavetable SD card setupK3 Wavetable Waveshaper
Controls
Z
|
gain |
X
|
signal input |
Y
|
Wavetable position |
A
|
wavetable output |
B
|
complementary wavetable output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Chooses Wavetable |
pos | min | max | default |
---|---|---|---|
1 | -32 | 32 | 0 |
Y offset |
Description
See manual for wavetable SD card setupK4 Clockable Wavetable Env
Controls
Z
|
trigger |
X
|
clock input |
Y
|
Wavetable position |
A
|
wavetable output |
B
|
wavetable output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Chooses Wavetable |
pos | min | max | default |
---|---|---|---|
1 | -32 | 32 | 0 |
Y offset |
pos | min | max | default |
---|---|---|---|
2 | -32 | 32 | 32 |
Output A attenuverter |
pos | min | max | default |
---|---|---|---|
3 | -32 | 32 | -32 |
Output B attenuverter |
pos | min | max | default |
---|---|---|---|
4 | -15 | 8 | 0 |
Envelope time multiplier. See chart below. |
Description
See manual for wavetable SD card setup
Delay Multiplier
Parameter 0 | Multiplier |
---|---|
-15 | 1/64 |
-14 | 1/48 |
-13 | 1/32 |
-12 | 1/24 |
-11 | 1/16 |
-10 | 1/12 |
-9 | 1/8 |
-8 | 1/6 |
-7 | 3/16 |
-6 | 1/4 |
-5 | 5/16 |
-4 | 1/3 |
-3 | 3/8 |
-2 | 1/2 |
-1 | 3/4 |
0 | x1 |
1 | x1.5 |
2 | x2 |
3 | x3 |
4 | x4 |
5 | x5 |
6 | x6 |
7 | x8 |
8 | x16 |
K5 Programmable Quantizer
Controls
Z
|
slew |
X
|
input pitch CV |
Y
|
input pitch CV |
A
|
quantized(X+Y) |
B
|
trigger on note change |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Scale |
pos | min | max | default |
---|---|---|---|
1 | 0 | 32 | 32 |
Input X attenuation 0: completely attenuated. |
pos | min | max | default |
---|---|---|---|
2 | -1 | 32 | 32 |
Input Y attenuation. -1: Y acts as trigger, X only sampled when Y above 1V. |
pos | min | max | default |
---|---|---|---|
3 | -31 | 31 | 0 |
Transpose, in terms of notes in scale. |
pos | min | max | default |
---|---|---|---|
4 | 0 | 31 | 0 |
Time delay of B output gate |
Scales
Scales are Scala files loaded off microSD card.K6 Clockable SD Delay
Controls
Z
|
feedback |
X
|
signal input |
Y
|
clock input |
A
|
output according to mode |
B
|
output according to mode |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -15 | 8 | 0 |
Delay time multiplier. See chart below |
pos | min | max | default |
---|---|---|---|
1 | 0 | 8 | 8 |
Maximum feedback |
pos | min | max | default |
---|---|---|---|
2 | 0 | 2 | 0 |
Output mode. 0: A=mix, B=delay only 1: A & B are mix 2: A & B are delay only |
Delay Multiplier
Parameter 0 | Multiplier |
---|---|
-15 | 1/64 |
-14 | 1/48 |
-13 | 1/32 |
-12 | 1/24 |
-11 | 1/16 |
-10 | 1/12 |
-9 | 1/8 |
-8 | 1/6 |
-7 | 3/16 |
-6 | 1/4 |
-5 | 5/16 |
-4 | 1/3 |
-3 | 3/8 |
-2 | 1/2 |
-1 | 3/4 |
0 | x1 |
1 | x1.5 |
2 | x2 |
3 | x3 |
4 | x4 |
5 | x5 |
6 | x6 |
7 | x8 |
8 | x16 |
K7 Stereo Clockable SD Delay
Controls
Z
|
feedback |
X
|
audio input L |
Y
|
audio input R |
A
|
output L |
B
|
output R |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -15 | 8 | 0 |
Delay time multiplier. See chart below |
pos | min | max | default |
---|---|---|---|
1 | 0 | 8 | 8 |
Maximum feedback |
Note
Tap tempo to set delay time by pressing Z
Delay Multiplier
Parameter 0 | Multiplier |
---|---|
-15 | 1/64 |
-14 | 1/48 |
-13 | 1/32 |
-12 | 1/24 |
-11 | 1/16 |
-10 | 1/12 |
-9 | 1/8 |
-8 | 1/6 |
-7 | 3/16 |
-6 | 1/4 |
-5 | 5/16 |
-4 | 1/3 |
-3 | 3/8 |
-2 | 1/2 |
-1 | 3/4 |
0 | x1 |
1 | x1.5 |
2 | x2 |
3 | x3 |
4 | x4 |
5 | x5 |
6 | x6 |
7 | x8 |
8 | x16 |
K8 Stereo Clockable SD Delay (Z clock)
Controls
Z
|
clock input |
X
|
audio input L |
Y
|
audio input R |
A
|
output L |
B
|
output R |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -15 | 8 | 0 |
Delay time multiplier. See chart below |
pos | min | max | default |
---|---|---|---|
1 | 0 | 40 | 16 |
Feedback. 32 = 100% feedback. |
Note
Tap tempo to set delay time by pressing Z
Delay Multiplier
Parameter 0 | Multiplier |
---|---|
-15 | 1/64 |
-14 | 1/48 |
-13 | 1/32 |
-12 | 1/24 |
-11 | 1/16 |
-10 | 1/12 |
-9 | 1/8 |
-8 | 1/6 |
-7 | 3/16 |
-6 | 1/4 |
-5 | 5/16 |
-4 | 1/3 |
-3 | 3/8 |
-2 | 1/2 |
-1 | 3/4 |
0 | x1 |
1 | x1.5 |
2 | x2 |
3 | x3 |
4 | x4 |
5 | x5 |
6 | x6 |
7 | x8 |
8 | x16 |
L1 Stereo Reverb
Controls
Z
|
wet/dry or freeze. Press Z to "freeze"/"unfreeze" the reverb. |
X
|
left input |
Y
|
right input |
A
|
left output |
B
|
right output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 1 | 32 | 16 |
Size |
pos | min | max | default |
---|---|---|---|
1 | 1 | 32 | 24 |
Feedback |
pos | min | max | default |
---|---|---|---|
2 | 0 | 5 | 1 |
Character |
pos | min | max | default |
---|---|---|---|
3 | -1 | 31 | 8 |
Lowpass filter |
pos | min | max | default |
---|---|---|---|
4 | 0 | 12 | 0 |
Reverb Gain |
pos | min | max | default |
---|---|---|---|
5 | -33 | 32 | -33 |
Wet/dry. When -33, wet/dry is set by turning Z. When -32 to 32, Parameter 5 sets wet/dry and high Z value enables reverb freeze. |
L2 Mono-to-Stereo Reverb
Controls
Z
|
wet/dry or freeze. Press Z to "freeze"/"unfreeze" the reverb. |
X
|
audio input |
Y
|
feedback CV |
A
|
left output |
B
|
right output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 1 | 32 | 16 |
Size |
pos | min | max | default |
---|---|---|---|
1 | 1 | 32 | 24 |
Feedback |
pos | min | max | default |
---|---|---|---|
2 | 0 | 5 | 1 |
Character |
pos | min | max | default |
---|---|---|---|
3 | -1 | 31 | 8 |
Lowpass filter |
pos | min | max | default |
---|---|---|---|
4 | 0 | 12 | 0 |
Reverb Gain |
pos | min | max | default |
---|---|---|---|
5 | -33 | 32 | -33 |
Wet/dry. When -33, wet/dry is set by turning Z. When -32 to 32, Parameter 5 sets wet/dry and high Z value enables reverb freeze. |
L3 Dual Reverb
Controls
Z
|
wet/dry or freeze. Press Z to "freeze"/"unfreeze" the reverb. |
X
|
audio input |
Y
|
audio input |
A
|
X plus reverb |
B
|
Y plus reverb |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 1 | 32 | 16 |
Size |
pos | min | max | default |
---|---|---|---|
1 | 1 | 32 | 24 |
Feedback |
pos | min | max | default |
---|---|---|---|
2 | 0 | 5 | 1 |
Character |
pos | min | max | default |
---|---|---|---|
3 | -1 | 31 | 8 |
Lowpass filter |
pos | min | max | default |
---|---|---|---|
4 | 0 | 12 | 0 |
Reverb Gain |
pos | min | max | default |
---|---|---|---|
5 | -33 | 32 | -33 |
Wet/dry. When -33, wet/dry is set by turning Z. When -32 to 32, Parameter 5 sets wet/dry and high Z value enables reverb freeze. |
L4 Dual Vowel Filter
Controls
Z
|
vowel selection (see table) |
X
|
audio input |
Y
|
audio input |
A
|
audio output |
B
|
audio output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -1 | 8 | 0 |
Vowel A. See chart below |
pos | min | max | default |
---|---|---|---|
1 | -1 | 8 | -1 |
Vowel B. See chart below |
pos | min | max | default |
---|---|---|---|
2 | -20 | 0 | 0 |
BPF gain 2 |
pos | min | max | default |
---|---|---|---|
3 | -20 | 0 | -6 |
BPF gain 3 |
Vowels
Parameter | Vowel |
---|---|
-1 | Vowel controlled by Z |
0 | /ow/ ("bought") |
1 | /oo/ ("boot") |
2 | /a/ ("hot") |
3 | /uh/ ("but") |
4 | /er/ ("bird") |
5 | /ae/ ("bat") |
6 | /e/ ("bet") |
7 | /i/ ("bit") |
8 | /iy/ ("beet") |
L5 Stereo Chorus
Controls
Z
|
wet/dry |
X
|
audio input |
Y
|
LFO rate |
A
|
left output |
B
|
right output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 8 |
LFO depth |
pos | min | max | default |
---|---|---|---|
1 | -64 | 32 | 0 |
Y offset |
pos | min | max | default |
---|---|---|---|
2 | -63 | 63 | 0 |
Feedback |
pos | min | max | default |
---|---|---|---|
3 | -1 | 31 | -1 |
Lowpass filter |
pos | min | max | default |
---|---|---|---|
4 | 1 | 64 | 16 |
Delay time |
pos | min | max | default |
---|---|---|---|
5 | -32 | 32 | 0 |
Fine delay time |
pos | min | max | default |
---|---|---|---|
6 | 1 | 6 | 6 |
Stages |
pos | min | max | default |
---|---|---|---|
7 | 0 | 1 | 0 |
Saturation |
L6 Mono Chorus
Controls
Z
|
wet/dry |
X
|
audio input |
Y
|
LFO rate |
A
|
blended output |
B
|
wet output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 8 |
LFO depth |
pos | min | max | default |
---|---|---|---|
1 | -64 | 32 | 0 |
Y offset |
pos | min | max | default |
---|---|---|---|
2 | -63 | 63 | 0 |
Feedback |
pos | min | max | default |
---|---|---|---|
3 | -1 | 31 | -1 |
Lowpass filter |
pos | min | max | default |
---|---|---|---|
4 | 1 | 64 | 16 |
Delay time |
pos | min | max | default |
---|---|---|---|
5 | -32 | 32 | 0 |
Fine delay time |
pos | min | max | default |
---|---|---|---|
6 | 1 | 6 | 6 |
Stages |
pos | min | max | default |
---|---|---|---|
7 | 0 | 1 | 0 |
Saturation |
L7 Mixer
Controls
Z
|
input X pan |
X
|
input X |
Y
|
input Y |
A
|
left output |
B
|
right output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -40 | 6 | -6 |
Input X gain |
pos | min | max | default |
---|---|---|---|
1 | -40 | 6 | -6 |
Input Y gain |
pos | min | max | default |
---|---|---|---|
2 | -32 | 32 | 0 |
Input Y pan |
L8 Noise Gate
Controls
Z
|
threshold |
X
|
left input |
Y
|
right input |
A
|
left output |
B
|
right output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Attack time |
pos | min | max | default |
---|---|---|---|
1 | 0 | 99 | 0 |
Hold time |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 0 |
Release time |
pos | min | max | default |
---|---|---|---|
3 | 0 | 99 | 0 |
Lookahead |
M1 Delayed LFO
Controls
Z
|
LFO speed |
X
|
trigger input |
Y
|
ramp time |
A
|
LFO, ramp, or ramped LFO |
B
|
LFO, ramp, or ramped LFO |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 6 | 1 |
Output type A. 0: ramp 1: triangle affected by ramp 2:sine affected by ramp 3:square affected by ramp 4:triangle 5:sine 6:square |
pos | min | max | default |
---|---|---|---|
1 | 0 | 6 | 0 |
Output type B. Same list as above. |
pos | min | max | default |
---|---|---|---|
2 | -32 | 32 | 0 |
LFO speed range |
pos | min | max | default |
---|---|---|---|
3 | -32 | 32 | 0 |
Ramp time range |
pos | min | max | default |
---|---|---|---|
4 | -32 | 32 | 32 |
Attenuverter A |
pos | min | max | default |
---|---|---|---|
5 | -32 | 32 | 32 |
Attenuverter B |
M2 Scaled LFO
Controls
Z
|
LFO speed |
X
|
min, or offset |
Y
|
max, or scale |
A
|
LFO A out |
B
|
LFO B out |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 4 | 1 |
Output type A. 0: triangle 1: sine 2: square 3: rising ramp 4: falling ramp |
pos | min | max | default |
---|---|---|---|
1 | 0 | 4 | 0 |
Output type B. Same list as above. |
pos | min | max | default |
---|---|---|---|
2 | -32 | 32 | 0 |
LFO speed range |
pos | min | max | default |
---|---|---|---|
3 | 0 | 1 | 0 |
Mode. 0: X/Y set LFO min/max. 1: X/Y set LFO center/amplitude. |
pos | min | max | default |
---|---|---|---|
4 | -48 | 48 | 0 |
X offset |
pos | min | max | default |
---|---|---|---|
5 | -48 | 48 | 0 |
Y offset |
M3 Logic
Controls
Z
|
logical operation for output A |
X
|
input |
Y
|
input |
A
|
logic out |
B
|
logic out |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -2 | 5 | 0 |
Output B logical operation. -2: B follows A -1: B is inverse of A 0: AND 1: OR 2: XOR 3: NAND 4: NOR 5: XNOR |
pos | min | max | default |
---|---|---|---|
1 | -100 | 100 | 20 |
Input X threshold |
pos | min | max | default |
---|---|---|---|
2 | -100 | 100 | 20 |
Input Y threshold |
pos | min | max | default |
---|---|---|---|
3 | -100 | 100 | 10 |
Input X hysteresis |
pos | min | max | default |
---|---|---|---|
4 | -100 | 100 | 10 |
Input Y hysteresis |
M4 Half-wave Rectifier
Controls
Z
|
Threshold. Adjusts point of comparison for negative/positive. |
X
|
input |
Y
|
input |
A
|
output |
B
|
output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 3 | 0 |
Mode When 0, A = positive part of X + negative part of Y B = negative part of X + positive part of Y When 1, inputs are summed, A = positive(X + Y) B = negative(X + Y) When 2, inputs are subtracted, A = positive(X - Y) B = negative(X - Y) When 3, operates as dual independent rectifiers. A = positive(X) B = positive(Y) |
pos | min | max | default |
---|---|---|---|
1 | -100 | 100 | 20 |
Input X threshold |
pos | min | max | default |
---|---|---|---|
2 | -100 | 100 | 20 |
Input Y threshold |
pos | min | max | default |
---|---|---|---|
3 | -100 | 100 | 10 |
Input X hysteresis |
pos | min | max | default |
---|---|---|---|
4 | -100 | 100 | 10 |
Input Y hysteresis |
M5 Stereo Filter
Controls
Z
|
frequency |
X
|
left input |
Y
|
right input |
A
|
left output |
B
|
right output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 2 | 0 |
Mode: 0: Low-pass 1: Band-pass 2: High-pass |
pos | min | max | default |
---|---|---|---|
1 | 0 | 31 | 0 |
Resonance |
M6 Stereo Tape Delay
Controls
Z
|
tape speed |
X
|
left input |
Y
|
right input |
A
|
left output |
B
|
right output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 26 | 26 |
tape length |
pos | min | max | default |
---|---|---|---|
1 | -9 | 9 | 0 |
fine length control |
pos | min | max | default |
---|---|---|---|
2 | 0 | 36 | 24 |
Feedback |
pos | min | max | default |
---|---|---|---|
3 | 0 | 1 | 0 |
output mode. 0: A & B are mix. 1: A & B are delay only. |
M7 Granular Pitch Shift
Controls
Z
|
Mix, or Freeze. Press Z to freeze. |
X
|
Audio input |
Y
|
Pitch 1 v/oct |
A
|
mix output |
B
|
Pitch shifted output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 50 |
Grain length |
pos | min | max | default |
---|---|---|---|
1 | 0 | 3 | 0 |
Window type. |
pos | min | max | default |
---|---|---|---|
2 | 0 | 32 | 16 |
Delay |
pos | min | max | default |
---|---|---|---|
3 | 0 | 64 | 0 |
Feedback |
pos | min | max | default |
---|---|---|---|
4 | -48 | 48 | 0 |
Y offset (semitones) |
pos | min | max | default |
---|---|---|---|
5 | -99 | 99 | 0 |
Fine (cents) |
pos | min | max | default |
---|---|---|---|
6 | -65 | 64 | -65 |
Mix. When -65, Z controls mix. Otherwise Z controls freeze and mix set by parameter. |
M8 Chaos
Controls
Z
|
Speed (Push to reset) |
X
|
Influences chaos |
Y
|
Influences chaos |
A
|
Chaos output |
B
|
Chaos output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -64 | 64 | 0 |
Range |
pos | min | max | default |
---|---|---|---|
1 | 0 | 11 | 0 |
Output mode (See table below) |
pos | min | max | default |
---|---|---|---|
2 | -64 | 64 | 32 |
Attenuator A |
pos | min | max | default |
---|---|---|---|
3 | -64 | 64 | 32 |
Attenuator B |
pos | min | max | default |
---|---|---|---|
4 | -32 | 32 | 0 |
offset A |
pos | min | max | default |
---|---|---|---|
5 | -32 | 32 | 0 |
offset B |
pos | min | max | default |
---|---|---|---|
6 | 0 | 1 | 0 |
Clamp Resets simulation when it becomes unstable |
Mode Table
Parameter 1 | Output A | Output B |
---|---|---|
0 | x | z |
1 | y | z |
2 | x | y |
3 | x-based gate | z |
4 | y-based gate | z |
5 | x-based gate | y |
6 | x | z-based gate |
7 | y | z-based gate |
8 | x | y-based gate |
9 | x-based gate | z-based gate |
10 | y-based gate | z-based gate |
11 | x-based gate | y-based gate |
N1 Switch
Controls
Z
|
control CV, or trigger (param 1) |
X
|
Signal #1 |
Y
|
Signal #2 |
A
|
Signal #1, or #2 |
B
|
Signal #2, or #1 |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 1 | 0 |
Mode. When 0, Z acts as a switch at 0V. When 1, Z is a trigger. |
pos | min | max | default |
---|---|---|---|
1 | 0 | 32 | 3 |
Hysteresis. Higher values smoothes jitter on Z when Z is a 0V switch to prevent bouncing when Z near 0V. |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 0 |
Fade |
pos | min | max | default |
---|---|---|---|
3 | -1 | 99 | 99 |
Chance. Add 1 to get % chance of switch occurring. |
N2 Rotary
Controls
Z
|
Speed |
X
|
Audio input |
Y
|
Mix |
A
|
Left Output |
B
|
Right Output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 32 | 32 |
Mix |
pos | min | max | default |
---|---|---|---|
1 | 0 | 63 | 24 |
Depth |
pos | min | max | default |
---|---|---|---|
2 | 0 | 99 | 10 |
Slew |
pos | min | max | default |
---|---|---|---|
3 | 0 | 32 | 15 |
Crossover frequency. Bass frequencies are amplitude modulated, not pitch modulated. |
pos | min | max | default |
---|---|---|---|
4 | 0 | 64 | 15 |
Bass amplitude modulation depth. |
N5 Pulsar VCO
Controls
Z
|
tune, or masking |
X
|
V/oct pitch CV (fundamental) |
Y
|
V/oct pitch CV (formant) |
A
|
pulsar output |
B
|
pulsar output |
Parameters
pos | min | max | default |
---|---|---|---|
0 | 0 | 99 | 0 |
Chooses wavetable |
pos | min | max | default |
---|---|---|---|
1 | 0 | 99 | 0 |
Chooses wave |
pos | min | max | default |
---|---|---|---|
2 | 0 | 3 | 0 |
Window, or envelope applied to pulsaret. 1: Rectangular 2: Linear attack 3: Linear decay 4: Gaussian |
pos | min | max | default |
---|---|---|---|
3 | 0 | 1 | 0 |
Y Mode. When 1, X input is added to Y input, so changing fundamental frequency also changes formant frequency. |
pos | min | max | default |
---|---|---|---|
4 | 0 | 99 | 0 |
Masking. When 0, Z controls tuning. When 1-99, some pulsarets are omitted. Output B is the inverse of A - when A emits a pulsaret it is skipped on B and vice versa. When 1, pulsarets are masked randomly. When 2-99, pulsarets are masked in a burst with length set to the parameter, and Z controls how many of the burst are masked. |
pos | min | max | default |
---|---|---|---|
5 | -16 | 8 | 0 |
Octave. Offsets X input. |
Description
See manual for wavetable SD card setupN8 Clockable SD Ping Pong
Controls
Z
|
feedback |
X
|
audio input |
Y
|
clock input |
A
|
output L |
B
|
output R |
Parameters
pos | min | max | default |
---|---|---|---|
0 | -15 | 8 | 0 |
Delay time multiplier. See chart below |
pos | min | max | default |
---|---|---|---|
1 | 0 | 8 | 8 |
Maximum feedback |
pos | min | max | default |
---|---|---|---|
2 | 0 | 1 | 0 |
Output mode. When 0, outputs mix of wet and dry. When 1, outputs only wet signal. |
pos | min | max | default |
---|---|---|---|
3 | -32 | 32 | -32 |
Input L/R pan |
Note
Tap tempo to set delay time by pressing Z
Delay Multiplier
Parameter 0 | Multiplier |
---|---|
-15 | 1/64 |
-14 | 1/48 |
-13 | 1/32 |
-12 | 1/24 |
-11 | 1/16 |
-10 | 1/12 |
-9 | 1/8 |
-8 | 1/6 |
-7 | 3/16 |
-6 | 1/4 |
-5 | 5/16 |
-4 | 1/3 |
-3 | 3/8 |
-2 | 1/2 |
-1 | 3/4 |
0 | x1 |
1 | x1.5 |
2 | x2 |
3 | x3 |
4 | x4 |
5 | x5 |
6 | x6 |
7 | x8 |
8 | x16 |